New “New Books Network ” Author Page

Aloha all. Some quick final links to keep up to date on what I’ve been doing since September. This site has gone on for far too long without an update, so I’ll post several in the next couple of days.

For this post, I want to highlight something new at the New Books Network — my very own author page! It’s not much but it does provide a single location where you can find all the interviews I’ve done. This is part of the redesign of the website and is just one of many more positive features which I’m told will come in the near future.

That’s all for now! More soon and happy end of 2020. I know I for one couldn’t be happier that this year of over and I’m looking forward to a much more prosperous and healthier 2021.

I’m very proud of this special issue on Bernard Narokobi

After many years of work by my co-editor Lise Dobrin and myself (well, really, mostly Lise) as well as our authors, I am very proud to announce that we have published a special issue of the Journal of Pacific History on “The Legacy of Bernard Narokobi and the Melanesian Way”.

This is really special for me since I’ve been interested in Narokobi’s thought ever since I first encountered it. He is the kind of thinker who pulls you in. What’s more, I visited Narokobi’s village in the late 1990s when Lise was doing fieldwork there on his native language, Arapesh. I’m so proud to have published it in the JPH, which is such a classic journal and once which I have so often over the years — it’s not too much to say that one of my life goals has been met now that I’ve published there!

This collection is special because of how it deals with all aspects of Narokobi’s life. Jonathan Ritche and I cover the early part of his career. Vergil Narokobi, his son, discusses his legal thought. Philip Gibs discusses Narokobi’s Catholicism, and Ira Bashkow and Greg Bablis help contextualise Narokobi’s life by discussing the context he grew up in, as well as the legacy he left behind.

It was great to have two Papua New Guinean intellectuals involved in this project — and not just any intellectuals, but Arapesh thinkers (including Bernard’s son, Vergil) with kin ties to Narokobi. It’s a testament to Lise’s commitment to Wautogik, Narokobi’s village, that she came to the village decades ago as a linguist to record phonetic barred I and ended up producing this volume. I hope we inspire many other anthropologists and historians from the US to undertake this kind of work in the future.


Matt Tomlinson on Culture and Theology in the Pacific

I’m very happy to announce that I have a new interview up at New Books Network. This one is with Matt Tomlinson, an anthropologist of the Pacific at the University of Oslo. Matt’s book is a discussion of the role of the concept of ‘culture’ in contemporary Pacific protestant theology. I love the cover image of the book, which features the holy family around a kava bowl. Full disclosure: I’m on the board of the Pacific Islands Monograph Series, which published this book. Second disclosure: We’re always looking for more manuscripts. If you have a really Pacific-focused manuscript let me know!

Maile Arvin on Possessing Polynesians

I announce my publications and interviews and things on social media but I have fallen behind on announcing them on my blog, which is supposed to be a more organised and permanent record of what I’m doing. So here is the first of a few posts about my (boreal) summer activities:

Go listen to my podcast over at New Books Network with Maile Arvin, where we discuss her new book, Possessing Polynesians. This new book from Duke Press is wide-ranging in scope and draws on what is now a really robust literature on Pacific indigenous studies. Also, I will not lie, engaging with this book finally taught me once and for all how to spell ‘possess’ correctly.


Remembering Michael Silverstein

Like many people, I was deeply, deeply saddened to learn of the passing of Michael Silverstein, a member of my dissertation committee. Although I knew he was ill, it is still so distressing to lose a giant in the field. Once, we spoke ‘Silversteinian’. With his passing, we now all just speak ‘semiotics’. As someone who was always Silverstein-entangled, but never truly a semiotics insider, I wanted to write a remembrance of him which extolled his virtues without mythologizing him. I hope this piece honors his memory.

I first met Michael Silverstein in Portland, Oregon in the early 1990s. I was an undergraduate at Reed College and he had come to give a talk. He had a long association with Reed, having known David French for years and having done field work at Warm Springs, the reservation which has a historic connection with the college. It was a big deal that he was there, since he was both a Big Time University of Chicago Luminary and a bit of a home town hero. He gave a talk of what would later become the essay “Whorfianism and the Linguistic Imagination of Nationality”. I did not understand much of it, but the gist appeared to be that Benjamin Whorf had said the things Benedict Anderson said, but he did it decades earlier, and that this fact somehow reflected poorly on Anderson. The lecture was very hard to understand and also seemed incredibly brilliant. But I was suspicious of my sense of its brilliance — how could I say it was brilliant if I didn’t understand it? This pattern of 80% awe and 20% skepticism would become a hallmark of my relationship with him.

After the talk there was a lunch for him at someone’s house. Over salad we started talking and he made a four way pun about croutons, cretins, Cretans, and crudité. This was back in when Reed was a feeder school for Chicago. In fact, all but one of the anthropology faculty at Reed had a Reed B.A. and a Chicago Ph.D.. Silverstein would later tell me that he had done fieldwork at Warm Springs at the same time as my Reed thesis advisor, Gail Kelly. The close connection of our two departments was considered a form of intellectual in-breeding by some, while others thought it the only way to keep one’s academic blood blue. Before the web or social media, it seemed less exclusionary and privileged than it does now. The day we met I don’t think I had consciously thought about going to grad school at Chicago, but it may have been percolating in my subconscious. He, on the other hand, was probably very aware that he was reviewing possible recruits.

I did go on to Chicago, and Silverstein did serve on my committee. I mentally called him MSLV (after his email address), while he referred to me as ‘Mr.G’ because my last name was ‘Golub’ and the grocery store in the neighborhood at that time was called Mr.G’s. He was tall and fit, with an aquiline nose and a penchant for cool earth tones: He wore a jacket and tie which were, as he might have put it, ‘appropriate to context’.

What made Silverstein so impressive was not his appearance, but his voice. It was irresistibly imitateable. Like the lyrics to Hamilton, once you heard it you couldn’t help but try a few verses yourself. Just ask around — everyone has a Silverstein impression. His voice was sibilant, almost slightly hoarse, and he spoke like a waterfall interrupted. Streams of words poured from him, interrupted by stutters and filler words designed to give him time to produce a turn of talk that would be perfectly-formed in the transcript of the conversation which he was writing in his head.

And what words! Silverstein’s verbal performances were justifiably legendary. Although future memorializers will note the influence of Jakobsen, Peirce, or Bakhtin on his thought, in reality Silverstein constructed a brand-new language which was uniquely his own: Metapragmatically. By-degrees-conscious. Calibrated. Regimented. Reticulated. Text artifact. Mensuration. Iconical Index. Trajectory of interdiscursively mediated taxonomies of -onomic knowledge. In fact, it was not merely a language. It was a way of seeing the world.

Silverstein was famous for arguing that the purpose of language was not to describe the world, but to create the shared meanings which people relied on when they spent time with each other. He saw the world as an endless game of improv in which speakers worked together to figure out what the scene was about and what their roles in it were. In particular, he was interested in the way that people’s own senses of what the rules of the game were shaped the game itself. Sometimes people had an intuitive sense of what was appropriate, at other times they received explicit instructions in how to behave. He was interested in all of these different levels of awareness of what life’s rules were, and he endeavored to show how each little moment of human interaction was shaped by the histories and institutions that shaped the people who lived out the small dramas he studied. How did going to elementary school shape your sense of what was the ‘right’ or ‘wrong’ way of speaking? How did those lessons effect you thirty years later when you decide not to hire a black person because they ‘didn’t speak right’? By starting with the smallest, second-by-second analysis of conversation and building outward, Silverstein sought to build an entire theory of social life and meaning.

Silverstein was pegged at an early age as a genius, and his oracular pronouncements on discursively-mediated interaction were, like those of the original Greek oracles, often interpretable only by cultic initiates. And it is undeniable that Silverstein had his followers. Like most intensely charismatic teachers, he was both intimately, almost vulnerably available in the way in which he presented in opinions and worldview, but also emotionally distant in a way that left students wanting more.

It seems strange to call Silverstein ‘vulnerable,’ but he was intimately forthcoming his opinions and memories. For instance, once he told us a story that began with an admission of imperfection — not something all professors are willing to make! “I am terrible at Homeric Greek” he told us. His final in Homeric Greek at Harvard consisted of translating portions of a book of the Iliad into English. With little time to study and no aptitude in Homeric Greek, Silverstein decided just to memorize the entire book in English. He laughs heartily as he recounts how his exam consisted of perfect translations, followed by long blank spaces where he forgot the text, followed by more perfect translation. What must his teacher have made of that?!

By ’emotionally distant’ I mean that, at the end of the day, anthropology was a day job for Silverstein. He was happily married, had children, hobbies, and a private life. Unlike some charismatic teachers he was not emotionally needy or monomaniacally focused on his career. We were not his children and he didn’t need us to love him. In this way, he was intensely emotionally healthy. This, of course, led to intense speculation about his personal life. At one point one of my friends earned the rare privilege of going to Silverstein’s home to collect a signature or borrow a book, an honor I never received. “What was it like?!?” I asked, my imagination running wild. “He was wearing jeans!” My friend exclaimed in wonder.

While Silverstein had a personal life, no one could fault him for working too little. He was a true intellectual who lived the life of the mind to its fullest and had an inexhaustible capacity for work. He unstintingly modeled the values of intensity, dedication, and commitment which he invited us to adopt. It was not unusual for him to stay at school until seven or eight at night to attend seminars or talks. If he did it, why couldn’t we? When other advisors, overloaded with students, hastily scanned your dissertation chapter and provided vague advice, Silverstein read your work carefully and provided detailed feedback. At one point during a departmental hire (I think when we were hiring Trouillot) he kvetched to us students that “academics are the biggest frauds in the world. They look at nothing, even though massive files have been compiled.” It was a typical glimpse behind the curtain which we so longed for but rarely got to see.

This is why, despite his strong opinions and devoted students, Silverstein never seemed to me conceited or egomaniacal. He had, if I may say so, a very Jewish approach to the world: Life was with people. You spent it building community. You inherited it from your teachers and you passed it on to your students. Of course, he was no pollyanna — he could be brutally effective in the cut and thrust of academic politics. Once he mentioned in passing “you are only as big in your department as you are outside your department.” I never forgot those words, and they helped me understand how to turn my well-known blog into a tenure-track position. I believe — I hope a future biographer will track this down — small pots of money to keep the conferences and edited volumes and journals ticking over.

But still, Silverstein never claimed to be a solitary genius with unique insights. The goal was to learn from colleagues at all levels, just as they learned from him. He didn’t demand adherence to doctrine or idiom, even though he definitely had both of these. You could be a true insider, a fellow-traveler, or peripherally attached as long as your work was good. And he didn’t feel the need to steal the spotlight or claim precedence — although, to be fair, this may be because both of these things came easily to him. He was a macher, not a prophet or entrepreneur.

While it is true that Silverstein had a broad church, it still had entrances and exits. He could be scathing in his disdain for other thinkers. When I took his legendary Language and Culture course in the late 1990s, he was still giving lectures on why David Schneider was wrong — despite the fact that Schneider had retired from Chicago a decade before! Much of contemporary anthropology, he thought, was driven by fads or the re-discovery of things which others (such as himself) had discovered long ago. How could anyone think Derrida was important for pointing out that signification was always an unfinished process when this fact was both obvious and elementary. How could anyone take James Scott’s notion of “hidden transcripts” seriously? With his view from 30,000 feet in the theoretical stratosphere, Silverstein saw much of 90s theoretical faddism as a wearying waste of time.

And, to be fair, the feeling was often mutual. Many found his work impenetrable and needlessly obscurantist, designed more to impress graduate students than to communicate with colleagues. It is fair to submit the Silversteinian project to scrutiny. A linguist, Silverstein took things that people intuitively understood and then redescribed them in a language that almost nobody could understand. This, for him, was progress. Even in his later work, when he made a genuine and successful effort to communicate more clearly, one still gets the feeling that his central insights could easily be had by other methods — for instance, by just listening to his ‘informants’. One of his most famous lectures, for instance, was a massive technical analysis of communion which explained how it worked. But did we really need an account of ‘figurational deictic transposition’ and ‘chiastic dynamic figuration’ when this beautiful, powerful ritual’s meaning is obvious to everyone who witnesses it? At a university where David Axelrod runs an Institute of Politics, do we need Silverstein explaining to us how political cartoons work or the politics of messaging?

Yes, we did. I truly learned from Silverstein the value of theory. When I struggled to explain the vague intuitions I had about the dynamics of my field site, he could describe it in a single sentence. My dissertation topic was not a unique and impossible to understand conundrum, it was a ‘token of a type’, an instance of a more general phenomenon which could be precisely described and which had parallels elsewhere. More than anyone else, Silverstein convinced me that there is value in generalizing theory because it helps us understand the world better. At a time when many American anthropologists consider ‘theory’ to be insufficiently apolitical, I still believe that generalized models of sociocultural process are an important and worthwhile topic, even if my own work rarely engages with them.

Silverstein’s certainty about what his project was and how it worked was often a relief to me. At one point in my own metatraumatic questioning of the state of the discipline, I asked him: “So just what is this difference between the humanities and the social sciences?” He responded instantly: “Social science is the scientific study of things normally studied by the humanities.” He was too aware of the complexities of social life to argue that science was ‘objective’ or some unique form of knowledge. He also didn’t argue that it was valid because it was useful. He believed in ‘basic science’. Many of his student have shown how it can be put to the service of social justice or liberatory agendas — something he respected and encouraged. But he justified science as an end and not a means. Today anthropology is sometimes described as the infinitely capacious multidisciplinary study of everything — both everything and also, in its openness, nothing. It’s a capacious vision, but not one that is very satisfying to students in an intro class, who have not paid good money to study a discipline with no identity or content. Silverstein’s vision of the discipline which was orienting, useful, delimited, but not constraining, and I use it today.

And yes, Silverstein’s own tendencies were taxonomic, abstract, formalistic, and highly aesthetic. He could take transcripts of conversations and turn them into massive diagrams. Having come to anthropology from drama, I was interested in the emotional and qualitative weight of interaction. Didn’t Silverstein’s diagrammatic tendencies drain all the life out of life? Did he, perhaps, suffer from the same thing that Lévi-Strauss suffered in Mythologiques: sufficient intellectual brilliance to find as many correspondences as you wanted regardless of what text you were actually examining?

There is truth to this claim as well, but I think people who read Silverstein’s work may not understand the joie de vivre behind his scholarship. When I imagine Silverstein, he always has a smile on his face. He could be technical and obscure, but he was also vital and alive. His laugh could fill a room. He studied language because he loved playing with it — hence the four-way pun he made the first time I met him. His focus on life’s rules also gave him a keen sense of the beautiful wonder of absurdity and the out-of-place. He told us, for instance, that his childhood teachers followed Classical Latin pedagogy in grammar, and made him decline nouns by case — despite the fact that English does not have case. I can still hear him laugh as he described his childhood exercises which were enlivened only by the vocative: “boy, boy, boy, boy, boy, oh boy!”

Silverstein not only loved to laugh, he loved to eat and drink as well. He developed his connoisseurship of food and wine with the same intensity of focus that he brought to the study of Worora verb classifiers. Which is to say: a lot. He could be picky about food — “this doesn’t taste like anything.” I imagine him say of the generic cheese served at a conference. But he was also not effete or snobbish. He took a down-to-earth pleasure in physical act of eating. I remember one meal — after a job talk? Or for a visiting scholar? — where we were taken to a restaurant that actually had a guy wandering around playing the violin. It was candlelit. The reason for coming was the gnocchi. Of course, the owner knew him and greeted him when we entered. His mixture of sophistication and simplicity was very Chicago (the city, not the university). It was also, if I may say so, a very Jewish way to enjoy food.

The biggest WASP influence on him in this regard was the martini. I remember one raucous hotel room party at the AAA annual meetings. Silverstein walked in the door with a jar of caper berries. It had been quite difficult for him to find the caper berries, but it was worth it because they were an essential ingredient of martinis. He locked himself in the bathroom, where all the alcohol was cooling in an ice bath in the tub. People demanded that he come out so that they could get more booze, but Silverstein was only willing to crack the door open enough for him to pass them martinis, which he had begin making a full speed. He intended to supply the entire party with them. Why drink anything else? My memory of that night is of a disembodied arm repeatedly holding out a dry martini garnished with caper berries and Silverstein’s muffled voice asking “Martini?” At some point someone asked “What even is a caper berry?” And we heard his semantically precise but somewhat martini-wobbled voice announce triumphantly “The unripened fruit of the caper bush!” as his arm emerged once again from behind the door. “Martini?”

Let me end this remembrance with one last story:

One day, I am walking up Haskell Hall’s monumental staircase wondering how well I did on the German test I had just taken. Silverstein is walking down the stairs and we meet. Knowing him to be multilingual I stop him and ask “What is German for ‘wet’?” He pauses for a moment, visibly searching his memory, and then replies “nass.” “Ah, ok,” I say. He looks at me strangely and asks “why do you want to know?” I realize suddenly how strange and perhaps disrespectful it must appear to stop a member of one’s committee in the middle of a stairway to test their linguistic knowledge. “I just got out of a German exam” I explain. “Oh. I see.” He said, and kept walking down the stairs. I realized then that I felt I could have asked him a similar question about Sanskrit, Arapaho, or Guugu Yimidhirr. He seemed to know everything.

It’s a cliche that great teachers live on in their students and the institutions they supported, but in Silverstein’s case this is uniquely true. A genuine original, he was inimitable. Reproduction is not an option, only transformation. And the true mark of his influence is how successful his students have been and will be in taking his vision and making it their own own. I count myself lucky to have been one of them. Vale.

Nancy Mattina on Gladys Reichard

My interview with Nancy Mattina on Gladys Reichard, ‘America’s least appreciated anthropologist’ is now live over at the New Books Network. Go take a listen! Nancy’s carefully-researched book re-captures the achievements of Gladys Reichard, a woman whose achievements, Nancy persuasively argues, was erased by her contemporaries. Perhaps the closest discipline of both Franz Boas and Elsie Clews Parsons, Nancy presents an image of an incredibly productive scholar with a zest for living whose work was disparaged by the sexism of men like Edward Sapir and Clyde Kluckhohn and the classism of blue-blooded women such as Ruth Benedict and Margaret Mead. It’s easy to be put off by Sapir’s misogyny today, but what I thought made this book and our interview so fascinating was Nancy’s portrayal Benedict and Mead not as feminist heroes but as envious of and less-successful than Reichard. In the middle we ask the question: What would have happened to American ethnography if Reichard, carrying Boas’s and Parsons’s style forward, had become hegemonic. It’s a fascinating question! And with Reichard’s wonderful ethnography Spider Woman now available for free download, hopefully more people will be able not only to ask this question, but answer it.

Copious Free Time: UCL, Chicago, NYU, Melville House, Harvard kinda

Where to start?

Dulam Bumochir’s book from UCL Press, The State, Popular Mobilisation and Gold Mining in Mongolia looks promising. Not familiar w/the author, but love the press and the topic! 

Chicago has a monthly free e-book deal (‘free’ in the sense of ‘harvest your email’ free). This month’s offer, Pictures from an Institution looks interesting. They are also offering their top novels for just a few bucks, including UH emeritus prof Lee Siegel’s Love in a Dead Language.

I love NYU’s monthly specials. Their press hits some weird sweet spot with me where they have titles on topics I care about but never have time to read. This month they have an Earth Day theme, and are offering titles which tend to focus on environmental justice. I highly recommend them if you study that are, or are even just curious. The price is perfect for exploratory reading. Just check to make sure your library doesn’t have it online for you already!

Melville House is doing ’round 2′ of its academic books give-away, offering Malik’s The Quest for a Moral Compass, Molander’s The Anatomy of Inequality, and White’s The Science Delusion for free download. You need an academic email address and the code (moral, inequality, and delusion respectively).

Also, if I can take a moment for a slightly critical note, let me provide an example of a less-than-ideal response to COVID-19: Harvard University Press’s Loeb Classical Library has made its online books free to schools and universities. You just need to email them for more details. I appreciate the impulse to help, and I recognise the high quality of Loeb editions and of the website more generally, but I think Harvard should have just opened up the collection to anyone who wanted to read it. Most of the texts are already thousands of years old and there are open access translations of them already. I know Loeb’s editors add value to these texts in a real way but asking schools to go through a process to get access to these is putting your light under a bushel, in my opinion. Most of these free offers are really attempts to build marketing lists already, and I doubt there are hordes of Seneca heads who are going to bulk download your work in some unethical way. And if there are then… isn’t that success for an imprint whose goal is to get these ancient authors into modern hands?

Ok there have been some scholarly publications which I want to highlight which have come out soon but I’ll take a break for now and come back with more later.

Copious Free Time: Rutgers and Melville House

More ebooks for your Copious Free Time! Rutgers is offering free ebooks related to COVID-19 and, unlike some offers, these books are actually tightly related to this topic, not surprising given Rutgers’s strength in medical anthropology.

Melville House also has some cheap ebook options. These include two buck ebooks of their ten top selling novels (they look great but I probably am too much of a nonfiction reader to ever get to them) as well as free download of Utopia of Rules, Culture as Weapon, and Trainwreck: The Women We Love To Hate. To get the discount you have to enter a secret code which is simply the first word of each book’s title (Utopia, Culture, and Trainwreck). Graeber’s book will be especially relevant to anthropologists.

I will not lie, though — today the deeply-discounted time-killer I splurged on was Endless Space II.

Copious Free Time: The Verso/Haymarket Edition

I like ebook sales because they give me an opportunity to obsessively comb through publisher’s lists — which is obviously an incredibly healthy and normal thing to do, of course. Today I spent a few minutes looking at the latest from Verso and Haymarket, two very lefty presses. The occasion was their generous and excellent offer of free ebooks during the COVID-19 crisis. Haymarket’s free ebooks include works by Angela Davis, Keeanga-Yamahtta Taylor, and my colleague Yari Bonilla. Verso’s “Free Quarantine Books” include Nancy Fraser and what I suspect is a ruthless takedown of Joe Biden from Branco Marcetic. In addition, Verso is having an 80% off sale on its ebooks, so each one is about 2 bucks US. Verso features these sales pretty regularly. I have a bookmark file with new Verso titles that interest me, and then when the sale pops up that’s when I pick them up.

To be honest, I rarely have a chance to read the ebooks I buy — they are sort of like games on Steam: You buy five for twenty bucks and then it turns out you spend hours and hours with one of them. But just perusing these publishers’ lists is good for keeping up your awareness of your intellectual surroundings. And even just being able to browse these books on your computer can help expand your mind and make some new intellectual connections. As someone in an apartment on an island, I ran out of room for physical books long ago, I’ve learned to let go of the idea that I need a large library. But when I do start worrying that the air to book ration in apartment is skewed too high in the air direction, buying ebooks help me cope. They’re the equivalent of a nicotine patch for compulsive bibliophiles. So if you are looking for a fix, check out Verso and Haymarket.

Copious Free Time: History of Anthropology Addition

The joke is that we are supposed to have more free time because we are stuck indoors. But in my case — and I’m sure I’m not alone in this — taking my normal load and then adding child care and moving my classes online is not exactly what I’d call creating free time. Just. The. Opposite.

Of course, I’m very fortunate: I’ll still getting paid, and I’m shut in with other people, not unemployed and trapped alone in my studio apartment, or worse. I recognize that. But there is something tantalizing (as in Tantalus) about the current situation: More and more people in higher education and other realms are ungating more and more content during COVID-2019.

Case in point: Project Muse is ungating huge amounts of content. They’ve always been a good organization with good values who publish good stuff, so the list is long. But I’m particularly interested to see that Oklahoma University Press’s Critical Studies in the History of Anthropology series is now open access. Holy cow — that’s a lot of great work. Long-overdue biographies of groundbreaking female anthropologists like Ruth Landes and Cora Du Bois, the new (and only) biography of Franz Boas, the collected essays of Stephen O. Murray, who passed away not too long ago — the list goes on and on.

So if you have all that Copious Free Time that I wish I had, go take a gander at these and all the other great offerings at Project Muse. You’ll see the history of anthropology is far more complicated than just evil dead white men, although to be fair there are a few of those featured in the book as well! It’s a great resource that spans hundreds of years and most of the continents. Go check it out. And… thank you, Project Muse and Oklahoma!